What Giangiorgio Trissino had been in the first part of my story, the Barbaro brothers were in the second. Among the most important patricians of Venice, a family historically linked to the Church, both Daniele and Marcantonio also knew a great deal about architecture, as well as the symbolic importance of its language. My works, in Venice, were a political act ...
Their villa is perhaps the richest of all: the cycle of frescoes by my friend Veronese is overwhelming. Victory's sculptures full of love, honor and wealth.
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